Scarborough got a new lifeboat station in 2016, and shortly afterwards, in 2021, a brand new lifeboat to go with it!
Frederick William Plaxton in the harbour
The all-weather Shannon-class lifeboat was named after Frederick William Plaxton, the founder of Scarborough coach building firm Plaxton Ltd. It cost in excess of £2 million pounds and is capable of reaching a speed of 25 knots.
The lifeboat is launched and recovered using a Shannon Launch and Recovery System (SLARS): a tracked vehicle which transports the lifeboat from the boathouse to the sea, tilts to act as a slipway for launching, and then uses a powerful winch to haul the boat back onto the carriage for recovery.
Earlier this year (July 2025) I photographed the whole procedure of recovering the lifeboat at low tide on Scarborough’s South Bay.
Recovering the Frederick William Plaxton lifeboat on 8 July 2025 (1)Recovering the Frederick William Plaxton lifeboat on 8 July 2025 (2)Recovering the Frederick William Plaxton lifeboat on 8 July 2025 (3)Recovering the Frederick William Plaxton lifeboat on 8 July 2025 (4)
Just so it does not feel left out, there is another smaller lifeboat called D-856 John Wesley Hillard IV, a D-Class inshore lifeboat, which arrived on on Thursday 10 June 2021. It had come in a bit before the larger one on 8th July (see below).
D-856 John Wesley Hillard IV, a D-Class inshore lifeboat, Scarborough
Saturday 29th June 2024 was Armed Forces Dayin Scarborough; an annual event celebrated around the country to commemorate the service of men and women in the British Armed Forces.
Whatever you may think about celebrating the contributions of ex-servicemen and women, it is a great opportunity for photography! Personally, I think we owe these veterans a huge debt.
I went down to the seafront to try and capture some interesting images; there were bands, marches and stalls; what follows is an eclectic series of images; just things that caught my eye.
Let’s start with the bands.
The band of the sea cadets was rather more youthful!
I love a good reflection, and highly polished tubas are great for capturing curved panoramas of the surroundings!
Some images of people and street scenes.
And, of course, it wouldn’t be Britain without the dogs!
This year was the 80th anniversary of D-Day.
Finally some images from the beach. It was only 18 deg C, but the sun came out and the hardy northerners (not me!) were even venturing into the water!
The National Gallery was less crowded than when I visited a few weeks ago. We do not charge entrance fees for access to museums in the UK, which is all well and good, but it does mean that they can get get rather well attended, on occasions. Teachers are very fond of bringing their classes to museums, and for tourists, it is a great benefit. In comparison, the Louvre in Paris charges17 euros for adult admission.
The Sainsbury Wing of the gallery is being ‘reconfigured’, so many of the paintings have been moved around and sited in new locations, including the basement (see below).
Early Renaissance paintings in the National Gallery, London
Early Renaissance paintings in the National Gallery, London
However, on this occasion, my eye was caught by some paintings I had never seen, or stopped to look at before. There were three impressive canvases by the French artist, Claude-Joseph Vernet (below). Now these atmospheric, 18th century land- and seascapes are not my favourite sort of art, but they are fascinating and a real insight into the people and customs (including costumes!) of the times.
Joseph Vernet (1778) by Élisabeth Louise Vigée Le Brun, Public domain, via Wikimedia Commons
One of the fun things about going to an art gallery is taking pictures! It is not that long ago, or so it seems to me, that you were not allowed to take photographs of the paintings. The thinking at the time, was that flash light might damage the paintings. Britain was one of the last countries to give in and change the policy regarding photography. Although many people just want to take a selfie in front of a famous painting to say ‘look where I was’ (!), it does, I think, really add to the occasion by allowing you to capture an image and look at it more closely, and for more time, at home.
A Shipwreck in Stormy Seas (1773) by Claude-Joseph Vernet National Gallery, LondonDetails from A Shipwreck in Stormy Seas (1773) by Claude-Joseph Vernet National Gallery, London
Photography also allows you to ‘sample a picture’. I really like doing this, because no matter how long you stand in front of a painting, there are details you might miss. Photographing sections, or sampling a picture, allows you to study it in much more detail. Large canvases, like those of Claude-Joseph Vernet, are full of fascinating details. It is really a portal, more than a glimpse, back into the 18th century.
A Landscape at Sunset (1773) by Claude-Joseph Vernet National Gallery, LondonDetails from A Landscape at Sunset (1773) by Claude-Joseph Vernet National Gallery, London
It is also possible to zoom in on each of these paintings on the National Gallery’s site on Claude-Joseph Vernet.
A Sporting Contest on the Tiber (1750) by Claude-Joseph Vernet National Gallery, LondonDetails of A Sporting Contest on the Tiber (1750) by Claude-Joseph Vernet National Gallery, London
Psyche showing her Sisters her Gifts from Cupid (1753) by Jean-Honore Fragonard National Gallery, London
Details from Psyche showing her Sisters her Gifts from Cupid (1753) by Jean-Honore Fragonard National Gallery, London
Nicolas Poussin, another French painter, was born nearly 140 years before Fragonard, and his painting, A Bacchanalian Revel Before a Term, is in the classical style, I suppose. What struck me most about this wild party scene was what fun the dancers and revelers seem to be having! Apart from the poor baby which seems to be getting trampled underfoot, bottom left!
A Bacchanalian Revel before a Tern (1632-3) by Nicolas Poussin National Gallery, LondonDetails from A Bacchanalian Revel before a Tern (1632-3) by Nicolas Poussin National Gallery, London
A number of artists have been inspired by this painting by Poussin, including the London-based artist Leon Kossoff, see here.
I often visit the National Gallery when I am in London. There is always something new to see or old favourites to revisit and admire.
When I was younger, I was completely taken by Impressionist artists, like Degas (below), and would generally walk rather briskly through the Old Master galleries, containing Renaissance painters and the like.
Edgar Degas, Ballet Dancers, pastel on paper laid on panel, 1888 (The National Gallery, London)
I still love the more modern works, but I have become more and more fascinated by the older styles of painting; not just the incredible techniques of Old Masters like Leonardo da Vinci and Rafael – to name just two – but also the wonderful colours and strange compositions of some very early paintings (see below).
Francesco Pesellino
A highlight of the visit was a small, free exhibition of works by the Italian Renaissance painter Francesco Pesellino (c. 1422 – 1457). I had not come across this artist before, and he is, it seems, something of a forgotten master, who died very young (aged only 35). The centrepiece of the exhibition is two panels depicting the Story of David. An extraordinary work of art that apparently took about 10 years to complete.
The Triumph of David (1445-55) by Francesco Pesellino. Public domain, via Wikimedia Commons
The panels were only acquired by the NG in 2000 and have only recently been put on display after a lengthy period of conservation.
The Story of David and Goliath by Francesco Pesellino. Public domain, via Wikimedia Commons
There was a scrum of people trying to get a good look at the panels, and the gallery had supplied magnifying glasses in order to obseve the details of these paintings, which was incredible. I used my tablet phone to take some pictures, also featured here and here.
Details from the Story of David Panels by Francesco Pesellino.
Another fascinating painting by Pesselino was calledKing Melchior Sailing to the Holy Land painted c.1445–1450 in tempera, oil, and gold on panel (below). These early paintings, as well as being gorgeous works of art, also tell us a great deal about what life was like in Medieval times; the boats, the costumes, the different sorts of people.
King Melchior Sailing to the Holy Land by Pesellino. National Gallery, London.
Again, it is fascinating to look at the details. It is not so long ago that it was strictly forbidden to take photographs in an art museum! Now everyone is snapping away, mostly with mobile phones. It is a great opportunity to look again, more carefully, and more attentively, perhaps, at something one only just glanced at earlier.
The Pistoia Santa Trinità Altarpiece is a 1455-1460 egg tempera, tempera grassa and oil on wood painting, begun by Pesellino and completed by Fra Filippo Lippi and his workshop.Detail from Francesco Pesellino, ‘Virgin and Child’, about 1455
New acquisition
This lovely painting caught my attention, just by chance. It turns out that it is a recent acquisition (2022) by the Gallery. This Portrait of a Girl (c. 1650) by Isaack Luttichuys (pronounced ‘Lootickhouse’) (1616–1673), was accepted in lieu of Inheritance Tax by HM Government from the estate of someone called George Pinto, a banker who died in 2018. The painting was used to settle £46,818 worth of tax, according to this press release, which seems very good value to me as it really is an exquiste painting from this Dutch master.
Portrait of a Girl (about 1650) by Isaack Luttichuys. National Gallery
Finally, I came across some paintings I had not noticed before, called The Story of Griselda, Part I, II, and III. It is not known who painted the work, other than he was an Italian artist who specialized in panel painting and worked in Umbria around 1490. He is, therefore, called the Master of the Story of Griselda.
Details from Master of the Story of Griselda (active about 1490-1500)
The paintings tell the story of a young peasant woman called Griselda, based on The Decameron, a 14th-century work by Boccaccio. It is a very misogynistic story about a beautiful woman who was put through a series of emotional ordeals by her husband to test her loyalty to him. The tale is also described here. Margaret Atwood did a funny, spoof version of the tale.
Details from Master of the Story of Griselda (active about 1490-1500)
I love the little animals and the camp waiters! In fact, everyone seems to be bowing or posing or trying to look cool, with heads turned to one side and hands on hips! All deliciously camp to our eyes, but no doubt, a highly stylised portrait of renaissance men and women.
Details from Master of the Story of Griselda (active about 1490-1500)
People have been living on the island of Tresco, in the Scilly Islands, for over 5000 years, and visiting these islands by boats from the Cornish mainland as long ago as 6000/7000 BC. The islands would have looked very different back then, covered in oak, ash and elder trees, with roe deer and wild boar in the woodlands. The sea was much lower than it is today and the first settlers in the Neolithic grew oats and barley on the fertile lowlands of the ancient land they called Ennor (used by J. R. R. Tolkien’s for the fictional lands of Middle-earth).
Echium pininanaEchium pininanaEchium pininana
Echium pininana, the tree echium, is in the borage family Boraginaceae. It is endemic to the Canary Islands, where it is restricted to the island of La Palma.
Bumblebee on unidentified flower
The Scilly Islands were still a single island when the Celts arrived around 500BC. The Romans also colonized Ennor, they called it Insulae Sillinae, which remained a single island until at least AD 400. Today, the Scilly Islands comprise some 55 islands and islets, of which Tresco is the second-biggest, measuring about 3.5 km (2.2 mi) by 1.75 km (1.09 mi). This was my second visit to the island, and on both occasions I was blessed with good weather, if a bit windy!
Aeoniums
Benedictine monks first built an abbey on Tresco, founded in 964 AD, and appear to have introduced many new herbs and flowers, such as chamomile, wild thyme and tansy. The ruins of the original abbey can still be seen in the Abbey Gardens. Rents for the Scilly islands was reportedly paid to the crown in puffins! Which seems rather hard on these little birds, which still breed on the islands, albeit in small numbers (about 100 pairs). So there must have been many more puffins on these islands back in the Middle Ages! A reminder that wildlife was often much more abundant in the past (see shifting baselines).
Tresco Abbey Gardens in May 2023
Plants have been introduced into the gardens from all over the world, albeit obtained in many instances via Kew Gardens, including from South Africa, Australia, New Zealand, Chile, and the the Canary Islands. The mild climate of the Scilly Islands, bathed as they are by the Gulf Stream, provide a wonderful, virtually frost-free habitat for such exotics, sheltered by salt-tolerant Monterey Pine and Cypress trees from California.
A yellow flowering succulent
The magnificent Aeonium arboreum ‘Zwartkop’ (Crassulaceae) – a succulent which is endemic to the western Canary Islands is a magnet for all sorts of insects, including bumblebees and butterflies (below). Although it is beautiful and fascinating in my opinion, this plant is considered to be invasive weed in some places, such as Australia.
Aeonium arboreum ‘Zwartkop’Aeonium arboreum ‘Zwartkop’Red admiral butterflyBumblebee laden with pollen
I came across a remarkable flowering agave plant from South America (below). These succulent plants belong to the family Asparagaceae and like many agaves, Furcraea parmentieri is monocarpic, which means that the rosettes die after flowering. At maturity, this plant explodes into flower, producing a tall, spectacular inflorescence (below)
The gardens we see today, were the creation of a wealthy Victorian landowner called Augustus Smith, who in 1834 acquired the lease on the Isles of Scilly from the Duchy of Cornwall for £20,000; the equivalent of a few million pounds today. Still, quite a bargin I think. His title, Lord Proprietor of the Isles of Scilly, gave him the power to make a number of changes and reforms reforms to the islands. He built his home on Tresco, and started the Tresco Abbey Gardens, introducing many exotic plants and carrying out landscape planting.
Gazania is a genus of flowering plants in the family Asteraceae, native to Southern Africa, where they typically appear in the late spring and often in bloom throughout the summer into autumn.
Gazania flower from South AfricaPincushion flowers (Leucospermum cordifolium)
The bumblebees liked the pincushion flowers (below), despite their being exotics from South Africa – they have pollen and nectar just like native flowers – and almost looked like they were trapped in a ‘bee cage’ made by the individual florets!
Bumblebee in Pincushion flower head, Leucospermum cordifoliumBumblebee in Pincushion flower head, Leucospermum cordifolium
Proteas are one of my favourite flowers, and it was a treat to come across the magnificent King protea, Protea cynaroides (Proteaceae).
King protea Protea cynaroides
Banksia plants are also in the family Proteaceae and there are around 170 different species in Australia (below).
Banksia spinulosa (I think!)
And another species of South African protea was in flower and being visited by a bumblebee (below), which obligingly moved about as I photographed it! Protea magnifica.
Protea magnificaProtea magnificaProtea magnificaBumblebee on Protea magnifica
Soay lamb in May 2023. Photo by Raymond JC Cannon St Kilda is an isolated archipelago situated about 40 miles west of the Outer Hebrides in Scotland. The three main islands, of which the largest is Hirta, are the remains of an ancient volcano which blew its top about 55 million years ago. The other main islands are Soay […]
Some photographs of the Armed Forces Day in Scarborough on 25th July 2022.
Crowded South Bay Beach Scarborough 25 July 2022HMS Westminster anchored offshoreMarking upTalking aimReloadTyphoon displayTyphoon displayTyphoon displayUpside downFlying the flagWatching the air displayAttentive poochBorder force dogArmy No. 1’s I think
Yesterday was a beautiful sunny day with a rich evening light. Evening being between 2-3 pm at this time of year in North Yorkshire!
Fishing boats in the afternoon sun (16 Dec 2021)Reflections on the water (no cropping)
I strolled around the harbour here in Scarborough, a very familiar tramping ground, as there is always something to photograph: fishing boats, birds, people, reflections, the list goes on. The light at this time of year (mid December) is wonderful because the sun is so low in the sky.
Ruddy turnstones (Arenaria interpres) enjoying the last of the winter sun
I am always drawn to reflections, be they on glass or water. The play of colours created by ripples on the surface of water creates fascinating effects. Particularly, if you ‘sample’ them with a long(ish) lens. The effects can be quite creative; abstract patterns that can be further sampled (i.e. selecting a portion of the image) on the computer.
Boat and reflections in the inner harbour, Scarborough
The light really was lovely. No need to do any processing. Apart from cropping and a slight increase in exposure, these images are straight out of the camera (Nikon D7500).
More reflections
By sampling, I mean zooming in, cropping out a smaller portion of the image (see below). It makes the whole thing more abstract. It is easy to get carried away! I think it works best if one does not over-do the cropping?
Cropped image from above
It is just a matter of taste really. Some things crop better than others. I like it when there are an eclectic mix of colours and shapes.
As I continued my walk around the harbour, past the light-house, I noticed a different sort of pattern. There were some sandstone flags (paving stones) that had lovely ripple marks. They were particularly apparent on this afternoon, as the sun was low, high-lighting the protrusions.
LighthouseOuter harbour wall
There were (are!) relatively few paving stones that had very good ripple marks! Perhaps the stone masons discarded the more uneven ones?
Ripple marks on sandstone flags, Scarborough harbour
There were small, round, stone bosses in the middle of the flags. I had never noticed these before. I suppose they were holding the slabs in place?
Ripple marks on sandstone slabs, Scarborough
There is much that these ripple marks can tell us about the environment in which they were laid down. Follow the links! Wave-formed ripples.
Finally, as I was ending my walk, I noticed some really interesting, almost psychedelic reflections, coming off the corrugated iron wall at the end of the harbour (below).
When I focussed in on these reflections, I was amazed how interesting they were!
None of these reflections lasted very long. The sun set and they were gone! But sure to reappear, in a different way, on a different day! Our world is infinitely variable and infinitely fascination!
It’s hard to keep up a travel blog in these times of lockdowns and travel restrictions. So, I thought, why not do one on your home town?
Scarborough harbour 6 May 2020
Starting out near home, we come across this lovely house (below). Many of the houses in the Old Town, Scarborough, are Grade II listed, which means that ‘are subject to regulations which protect their historical and architectural significance’. In other words, you can’t mess about with them!
Wesley House, Castlegate, Scarborough
Going down to the seafront, there are many fish and chip shops to choose from.
Princess Cafe
The fun fair is open now. It was closed and empty all through lockdown (16 March to 10 May 2020), so the owners are making some money again, hopefully.
Fun fair 19 Sept 2020
Things were very quiet in Scarborough during lockdown, but when the restrictions eased, people flooded to the seaside. They were still supposed to be observing social distancing, and for the most part I think they were, but as these shots show, there were a lot of people on the beach on this warm day in July (below).
South Bay beach, Scarborough on 31 July 2020
South Bay beach, Scarborough. 31 July 2020
We are lucky to have lots of seabirds in Scarborough. My favourites are the Kittiwakes, and they kept me amused and interested all through the summer; following the birth and development of the chicks. For more of kittiwakes, see previous blogs here and here.
Black-legged kittiwake chicks, mid July
Having the sea on your doorstep is a real bonus and I never get tired of the views.
South bay with Ferris wheel
Every one likes to dip their toes in the (North) sea, but it’s cold!
Lighthouse from South Bay
Better to sit in a deckchair on the beach perhaps, and enjoy the late summer sunshine.
Deck chairs on South Bay beach
Or, take a donkey ride (children only)!
Donkeys on South Bay beach
Walking around the harbour, I could not resist a quick grab shot of this girl’s lovely red hair!
Girl with red hair
At this time of year there are lots of juvenile Herring gulls around, pestering their parents with their rather pathetic, high-pitched cries.
Juvenile Herring Gull on Marine Drive
Scarborough harbour at dusk
The Harbour is always an interesting place to visit, although there are not very many working fishing boats, at least compared to the past.
Fishing boats in Scarborough harbour
However, there is still a demand for new lobster pots, called creels (below). This is how they are used.
Creels stacked up in Scarborough harbour
Scarborough was a popular holiday venue for the Victorians, and they left us some wonderful architecture, like the lovely Cliff (Spa) bridge, built in 1827 (which the kittiwakes like to nest on!).
The Kittiwake nests are all empty now in Scarborough; on the cliffs and in the town, the birds have all gone. Long gone. Gone to sea.
Katie did not want to go to sea; she wanted to stay on her ledge above Marks and Spencer and try all the lovely food her gull-friends on the roofs around her were eating. But it was not to be. Her parents had looked after her and fed her well all through the summer, but now they were tired and needed a break. They wanted to go to sea. Katie would either have to come with them or look after herself, but she was quite incapable of finding food. Walking about the town begging for chips, like the herring gulls, looked like fun, but she didn’t think she could do it. Her legs were too short and she was not cut out for street life. Reluctantly, she came to conclusion that Yes, it was time to go. So one day in late August they all set off.
Newly-fledged Kittiwake chick just like Katie!
Katie had been down to the sea a few times with her parents. She had had a go at sitting on the ocean and trying to peck at the occasional morsel that passed by, but she had never really been out to sea. She had not flown far out, far away from the land. She had just jumped in and out, and sat on the sea wall smelling the ocean and watching all the other gulls.
This time was different. Her parents looked serious and in no mood to put up with her reservations. Her Dad, Harold, said: ‘Come on Katie. If you don’t come with us now, you will sit here and starve. A Kittiwake has to go out to the sea. The ocean is where we really belong. You’ll see.’ So off they went; flying high and further out than Katie had ever been before.
A lot of other gulls were leaving Scarborough at the same time, and soon they joined up with others in a large flock, heading north along the coast. The were soon joined by some other Kittiwakes flying over from the land. ‘Where do you come from?’ Katie asked one of them. ‘Newcastle’ he replied, in a strange accent she had not heard before. ‘Ooh eye, its great there said one of the older gulls; we have nests on a bridge, high above the river’. ‘Oh I was born on a bridge’ said one of the other birds from Scarborough. ‘It’s great, you have a lovely view and it’s very safe. There were so many of us, all close together on the bridge.’ ‘Sounds just like Newcastle’ said the newcomer. ‘So we have something in common then’ he said, flying closer to the bird from Scarborough who happened to be a female. ‘Perhaps we should stick together for a while’ he smiled. Yes Kittiwakes can smile, only they can see it. Humans don’t know what a Kittiwake smile is!
In winter. many kittiwakes move in small flocks …. Some flocks include both adults and first-year birds, but I doubt if there is any kinship between the individuals, as pairs and their offspring separate once they leave the colony in autumn. (Coulson, 2011).
Newly-fledged Kittiwake chick in July. Just like Katie before she went to sea!
After joining up with all the new birds from Newcastle, Katie looked around to see where her Mum and Dad had gone. They weren’t there. She couldn’t see them anywhere. ‘Where’s my Mum and Dad?’ screamed Katie! They’ve gone!
‘You are on your own now’ said one of the older birds from Newcastle. ‘You probably won’t see them again until next year now.’
Since Kittiwakes are not fed by their parents after they leave the nest sites, successful (and rapid) dispersal to good feeding sites is probably critical for the survival of the juvenile birds. (Wernham et al., 2002).
‘How am I going to survive!’ moaned Katie. ‘I don’t even know how to catch fish!’ ‘Don’t worry’ said the older bird. ‘Stick with us and we’ll show you. You’ll soon get the hang of it’. ‘Yea stick with us’ said some of the other juveniles. ‘Our parents have left us as well! We’ll be OK if we stick together’. So off they flew; a small flock of adults and juveniles, not related, but with a shared purpose and common interest. Flying into the unknown, but armed with the instincts and adaptations millions of years of evolution had provided them with. Enough to give them more than a sporting chance of surviving in this new world.
Katie and her companions flew north helped by a strong wind blowing from the south-west. They made rapid progress and were soon up near the coast of Norway.
‘My Dad came from Norway’ said Katie, excitedly. ‘Let’s go and find him! ‘It will be like looking for a needle in a haystack’ said one of the older birds. ‘What’s a needle and what’s a haystack said Katie’, confused. ‘Forget it’ said the older bird. Stick with us and we will look after you’. ‘OK’ said Katie, looking wistfully across to the foreign shoreline they were flying next to.
‘We are going to go much further north, and then we will head over to Greenland for the winter’. Greenland sounds nice thought Katie. It should be warm there by the sound of it. Little did she know!
Some young Kittiwakes probably remain on the other side of the Atlantic, off Newfoundland and Greenland (Wernham et al., 2002).
They flew on, stopping off to rest and feed on the surface of the sea at night. Eventually the reached a new land. A strange place with huge cliffs and thousands and thousands – hundreds of thousands – of Kittiwakes. Katie had never seen so many Kittiwakes. They joined up with the huge flocks and Katie started chatting to some of the other juvenile birds.
Hundreds of thousands of Kittiwakes nest at Diskobukta on Barent’s Island (Barenstøya), Svalbard Archipelago, where they are preyed upon by Arctic foxes.
‘Where do come from’ asked one of them. ‘Scarborough’ said Katie.
‘Where is that?!’ the other bird asked. ‘It’s a town far to the south from here. I was brought up on a ledge above Marks and Spencer’ said Katie. What’s that?’ said the other bird. ‘It’s a shop’ said Katie. ‘That sells food’.
‘Are there foxes there?’ said the newcomer. ‘Well a few’ said Katie, ‘but we don’t see them much’. ‘Here the foxes try and eat you’ said the local bird. It’s a nightmare I can tell you. My sister was taken by a fox. I can’t wait to get away from the land and head out to sea!’
So off they flew travelling west this time. Soon they saw something floating in the sea. ‘What’s that?’ asked Katie. ‘It’s ice stupid! Haven’t you ever seen ice before?’ ‘No’ said Katie. It looked very strange, and she was not sure if she liked it. ‘Look, you can stand on it’ said one of her new friends’ swooping down and landing on a small lump of ice.
In winter, some Kittiwakes remain as far north as the Arctic Circle, so how do these birds feed and survive in the total darkness? The answer is not known. Some may feed behind fishing boats using floodlights, whilst others may be attracted to luminous prey. (Coulson, 2011).
What happens next? Will Katie survive the winter and learn to look after herself? Find out in the next installment of Katie the Kittiwake!
References
Coulson, J. (2011). The kittiwake. A&C Black.
Wernham, C., Toms, M., Marchant, J., Clark, J., Siriwardena, G., & Baillie, S. (2002). The migration atlas: movements of the birds of Britain and Ireland. T & AD Poyser.